Sanjay Leela Bhansali is a renowned Indian filmmaker, producer, music composer, and screenwriter. His work in Hindi cinema has garnered critical acclaim and numerous awards. Bhansali’s directorial debut was the romantic musical Khamoshi: The Musical. He gained widespread success with romantic dramas like Hum Dil De Chuke Sanam and Devdas, which received a BAFTA nomination. Sanjay leela Bansali’s view on Tawaifs, courtesans and Prostitutes.
Sanjay Leela Bhansali‘s contributions to Indian cinema are nothing short of inspiring. His film Black, a testament to his artistic prowess, won the prestigious National Film Award for Best Feature Film in Hindi. Bhansali’s status as a master of his craft was further solidified with period dramas like Bajirao Mastani and Padmaavat, which earned him accolades for direction and music. In 2022, he directed the biopic Gangubai Kathiawadi, adding more awards to his already impressive collection. Bhansali’s cinematic vision, which celebrates Indian music and aesthetics, has not only made him a prominent figure in the industry but also a beacon of inspiration for aspiring filmmakers.
Sanjay Leela Bhansali’s view on Tawaifs:
Sanjay Leela Bhansali has created a mark for himself where every actress’s dream is to be Sanjay Leela Bansali’s heroine. This director has a superpower to portray women in the most fascinating way possible.
Sanjay Leela Bhansali has consistently woven the lives of tawaifs, courtesans, and sex workers into the fabric of his cinematic narratives. These enigmatic figures have fascinated him, offering a rich tapestry of mystery and power. In an interview, Bhansali expressed his admiration for these women who defy societal norms. They sing, dance, and express their joy and grief through music and movement. Their understanding of art, architecture, fabric, and jewelry captivates him. Bhansali’s films, from Devdas to Gangubai Kathiawadi, showcase their allure, emphasizing their resilience and complexity. His latest Netflix series, Heeramandi: The Diamond Bazaar. This delves into the cultural reality of these women against the backdrop of India’s freedom struggle in the 1940s. He also expressed his admiration towards any woman he sees.