Dukaan Review: A Rushed Affair of Biology and Surrogate Trials

Dukaan Plot:

A young woman finds herself embarking on a journey that transcends the boundaries of traditional motherhood. With unwavering courage and a heart full of empathy, she steps forward to become a surrogate mother, offering her womb as a vessel of joy for those longing for the pitter-patter of tiny feet. As she navigates the complexities of pregnancy and bonds with the unborn child, she becomes not just a surrogate, but a symbol of resilience and love. Her decision to carry the dreams of others on her shoulders brings solace and happiness to families yearning for the precious gift of parenthood.

Thoughts On Film:

“Dukaan” unfolds Jasmine’s life journey in a manner that resembles a biopic, tracing her experiences from the 1990s to the 2010s. However, despite the passage of time, the characters remain unchanged, leaving viewers uncertain about the timeline. The film’s rapid pacing, coupled with seamless transitions through musical interludes, creates a sense of disorientation, making it challenging to discern the specific era in which each scene takes place. As a result, the narrative feels like a series of montages, with the storyline hurtling forward at breakneck speed, leaving little opportunity for viewers to process or contextualize the unfolding events.

Moreover, the central conflict between Jasmine and the Mishras is portrayed in a manner that amplifies melodrama, detracting from the overall coherence of the plot. The prolonged and exaggerated depiction of this confrontation adds unnecessary complexity to the storyline, further exacerbating the viewer’s sense of disconnection from the narrative. Consequently, while “Dukaan” offers glimpses into Jasmine’s life, its disjointed storytelling and exaggerated conflicts detract from the film’s overall impact, leaving audiences struggling to engage with the characters and their journey.

The movie appears to be influenced by several previous films such as “Mimi,” “Vicky Donor,” and “Gangubai Kathiawadi.” It follows a trend where women are depicted with prominent pregnant bellies throughout their nine-month pregnancy journey. However, immediately after giving birth, these women miraculously regain toned abs, creating an unrealistic portrayal of postpartum recovery. This portrayal extends beyond merely showcasing the challenges of pregnancy and childbirth, transforming the film into more than just a story about women’s experiences.


Monika Panwar Pulls this off effectively.


Misses Original Story lines to for Drama
Side characters are delivered before nine months
Lack of something in everything

Rating- 1.5/5


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